In her newest work, Camille Eskell brings together the cultures of Iraq, India, and the Jewish faith, forces that formed her family history and psychological legacy.

These objects or “artifacts” use the fez cap (traditional Middle-Eastern headgear) as a sculptural foundation and symbol of the family trade. Melding elements from the Middle Eastern, Indian, and Sephardic traditions, the work examines issues of of gender relationships, identity, inequity, indoctrination, and question the conventions these social systems perpetuate inter-generationally.
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